2016 Logo(s), Elizabeth Leach Gallery, Portland, OR
2016 Pat Boas & Michael Lazarus, Portland2016 Biennial, Disjecta at The Bush Barn, Salem, OR
2016 Pat Boas & Jon Raymond, Portland2016 Biennial, Disjecta at Art Adventure, Madras, OR

Group exhibitions

2021 Deeds Not Words, Sun Valley Museum of Art, Ketchum, ID, project space commission

2018 Assemblage and Collage, Elizabeth Leach Gallery, Portland, OR

2018 Crow’s Shadow Institute of the Arts at 25, Jordan Schnitzer Museum of Art, Pullman, WA
2018 Crow’s Shadow Institute of the Arts at 25, Whacom Museum, Bellingham, WA
2017 New Modernism, Elizabeth Leach Gallery, Portland, OR2016 Out of Sight, King Street Station, Seattle, WA
2016 Salon: Portland2016 Biennial, Disjecta Contemporary Art Center, Portland, OR
2016 And from this distance one might never imagine that it is alive, Art Gym, Marylhurst, OR
2015 Words, Words, Words, Elizabeth Leach Gallery, Portland, OR

2015 Transformation Chase, Northview Gallery, Portland, OR

2015 New Art 2.0, Eiteljorg Museum, Indianapolis, IN

2015 Subtext, Corvallis Art Center, Corvallis, OR

2014 All the News That’s Fit to Print, Ctr for Contemporary Art, Santa Fe, NM

2014 Crow’s Shadow Biennial, Hallie Ford Museum, Salem, OR

2013 Crow’s Shadow Golden Spot Award, PDX Contemporary, Portland, OR

2012 The Coat of Charms, World Portable Gallery Convention, Halifax, NS

2011 Sending Signals, College of Fine Arts, University of Ulsan, Ulsan, South Korea

2011 Reading.Writing., Lisa Radon, curator, galleryHOMELAND, Portland, OR

2010 Re-Present, Elizabeth Leach Gallery, Portland OR

2010 Portland 2010: Oregon Biennial, Templeton Building, Portland, OR

2010 Portland 2010: Oregon Biennial, White Box, Portland, OR

2006 Oregon Biennial, Portland Art Museum, Portland, OR (Jurors’ Award)

2006 Bestiary, Froelick Gallery, Portland, OR

2006 The Daily News, Boise Art Museum, Boise, ID

2005 Drawing(s): 40+ Artists/200 works, The Art Gym, Marylhurst, OR

2005 The Daily News, Salt Lake Art Center, Salt Lake City, UT

2005 The Daily News, Nicolaysen Art Museum, Casper, WY

2004 14th Annual, Center on Contemporary Art, Seattle, WA

2004 Drawn Fictions, Art Gym, Marylhurst, OR

2003 Sorta, curated by Meg Shiffler & Brian Wallis, Consolidated Works, Seattle

2003 Book-Text-Language-Form, Campbell Gallery, Western Oregon University, Monmouth, OR

2002 Slowness, The Art Gym, Marylhurst University, OR (catalogue)

2001 Palimpsest, Hoffman Gallery, Oregon College of Art and Craft, Portland, OR

2001 Biennial Review of Northwest Art and Craft, Hoffman Gallery, Portland, OR

2021 Project Space Commission for Deeds Not Words Exhibition, Sun Valley Museum of Art

2018 Oregon Arts Commission Individual Artist Fellowship

2018 Ford Family Foundation Connective Conversations Critic’s Visit Award

2017 Hallie Ford Visual Arts Fellowship
2017 The Corporation of Yaddo Residency Fellowship
2016 Oregon Arts Commission Career Opportunity Grant
2015 Ucross Residency Fellowship, Ford Family Foundation Travel Grant
2015 Nominee, Joan Mitchell Painters and Sculptors Grant

2014 Artist Project Grant, Regional Arts & Culture Council

2013 Caldera Artist Residency

2013 Jentel Foundation Residency Fellowship

2012 Bonnie Bronson Fellowship

2012 Bonnie Bronson Collection Purchase Award

2012 Pollock Krasner Foundation Fellowship, Byrdcliffe Artist Colony Residency

2012 Ford Family Foundation Golden Spot Artist Residency Award, Crow's Shadow

2011 Ford Family Foundation Connective Conversations Critic’s Visit Award

2009 Project Grant, Regional Arts and Culture Council, Portland, OR

2009 Harold & Arlene Schnitzer CARE Foundation Exhibition Support

2006 Jurors’ Award, 2006 Oregon Biennial, Portland Art Museum

2005 Professional Development Grant, Regional Arts and Culture Council

2002 Artist Project Grant, Regional Arts and Culture Council, Portland, OR

2001 Drawing Residency, Oregon College of Art & Craft, Portland, OR

2001 Installation Art Space Grant, Regional Arts & Culture Council, Portland, OR

Hallie Ford Museum, Salem, Oregon

Bonnie Bronson Collection, Reed College, Portland, Oregon

City of Portland, Portable Works Collection, Portland, Oregon

Pacific University, Forest Grove, Oregon

The Ford Family Foundation, Pat Boas: Artist Guide, essay by Bean Gilsdorf, 2020

Grabner, Michelle and Prudence Roberts, A Reader on Place and Work/The Disjecta

Portland2016 Biennial, Disjecta, 2016

The Ford Family Foundation, Ucross/Djerassi: Oregon Artists at Work, 2017, reproductions
Sutinen, Paul, “Can Modernism be New Anymore?”Oregon Arts Watch, July 28, 2017
Briana Miller, “Portland2016 Biennial offers broadest survey …,” OregonLive, Aug. 5, 2016
Art Gym, From this distance one might never imagine that it is alive, Marylhurst University, 2016

Johnson, Barry, "Considering the Art Gym's abstractions," Oregon Artswatch, 2/23/16
Rabin, Jennifer, "Logo(s)," Williamette Week, 1/27/16
Taylor, Sue, "Pictura/Poesis/Pictura," College of the Arts, Portland State University, 2015
Paul Weideman, “Artists transform the New York Times,” Pasatiempo, The New Mexican

Row, D.K., “2012 Bonnie Bronson Fellowship,” The Oregonian, March 21, 2012

Taylor, Sue, Review, Art in America, January 2010 (reproduction)

Bowie, Chas, “Elizabeth Leach Gallery's 'Re-Present',” The Oregonian, 2/25/ 2010

Radon, Lisa, “Portland 2010,” Culturephile, Portland Monthly, Feb. 3, 2010

Paulsen, Ryan and Anna Gray, eds., A Limited Anthology of Edits, Special Projects Press, 2010

Snyder, S., T. Hopkins, Record Record, exhibition catalogue, Marylhurst University, 2009

Radon, Lisa, “Review: Pat Boas Record Record,” Culturephile, Portland Monthly, Oct. 25, 2009

Bowie, Chas, “All the faces fit to print,” The Oregonian, Oct. 16, 2009

Duford, Daniel, “’2006 Oregon Biennial’ at the Portland Art Museum,” Artweek, Oct 2006

Jablonski, Jeanine, Pat Boas: You have no companion but Night, OregonLive.com, 8/22/06

Bowie, Chas, “Two Views of the Oregon Biennial,” The Mercury, Aug. 3, 2006 (reproduction)

Row, D.K., “Surveying the Scene,” The Oregonian, Jul 31, 2006

Jennifer Gately, 2006 Oregon Biennial, Portland Art Museum (catalogue essay, reproduction)

Schnoor, Christopher, “Paper Chase,” Boise Weekly, Feb 22, 2006

Zimmer, Willy, “Read All About it!”, The Casper Star-Tribune, 12/30/05

Blake, Victoria, “A Quarter-century of Quality,” The Oregonian A&E, Dec. 2, 2005

Tierney, Eric, “The Art of News,” Salt Lake Metro, April 2005

Kopman, Debra, “Previews,” Artweek, Feb 2005

Hackett, Regina, “Extra! Extra!: The Daily News,” Salt Lake Art Center (cat essay, repro) 2005

Engelson, Andrew, “Visual Arts Pick: Northwest Annual,” Seattle Weekly, Nov 10, 2004 (repro)

Ros, Jayla, The Organ, No. 10, March/April 2004

Regional Arts & Culture Council, Here and Gone, 2003

Hall, Emily, “SORT ME: The World Organized,” The Stranger, 2/27/03

Hackett, Regina, Seattle Post-Intelligencer, 2/22/03

Stuart Horodner, Slowness, Marylhurst University, Feb 2003 (catalogue)

Allan, Lois, Portland Review, Art Papers, July/August, 2002, pp. 52-53

D.K. Rowe, “In the Blink of an Eye,” The Oregonian, March 1, 2002 pp. 57-59

Video drawing, “Untitled (Syncope),” Drain Magazine, 2012

Curator, Dialogical, The Bush Barn/Salem Art Association, January–February, 2010

Essay, “Holly Andres: Stories from a Short Street,” essay, INSIGHT 2007, Photomedia Center

Curator and catalogue essay, Portland Modern, Issue #3, October 2005

Catalogue essay, “Reallegories,” Core Sample: Portland Art Now, ClearCut Press, 2004

Review, “Eric Stotik and Masao Yamamoto at PDX,” Art Papers, Nov/Dec, 2004

Review, “State of Affairs,” artUS, Sept-Oct 2004, p. 54

Studio Visit essay, “The Un-Storyteller: Los Angeles’ Joe Biel,” Art Papers, Jan/Feb 2004

Review, “Far From Here,” artUS, Jun/Aug 2004

Review, “Later,” artUS, Jan/Feb 2004

Catalogue essay, “Hidden in Plain Sight,” Linda Hutchins: Reiterations, 2003

Article, “Against the Current: Portland Art Scene Thrives in Hard Times,” Artweek, Sept 2003

Review, “Rothenburg: The Shame Bath,” Art Papers, May/June 2003

Review, “Lou Cabeen and Linda Welker at The Art Gym,” Art Papers, Mar/Apr 2003

Review, “Rita Robillard: Time and Place,” Art Papers, Mar/Apr 2001

Review, “Julia Fenton and damali ayo at Mark Woolley Gallery,” Art Papers, Jan/Feb 2002

Review, “’La, La, La, La: Recent Sonia Boyce’ at Reed College,” Art Papers, Sept/Oct 2001

Contributing Editor for Artweek, 2000-2007 (list of reviews available on request)